Cast of The Sicilian

Christophe Lambert plays Salvatore Giuliano, a character based on the real-life Sicilian bandit who became a folk hero known for his rebellion against the Italian government in the 1940s.

Terence Stamp portrays Prince Borsa, a fictional character who serves as one of the antagonists in the story, representing the oppressive ruling class in Sicily.

Joss Ackland takes on the role of Don Masino Croce, a powerful Mafia boss whose interactions with Salvatore Giuliano shape the events of the film.

John Turturro plays Pisciotta, one of Giuliano's loyal followers who is involved in the bandit's criminal activities and plays a significant role in the narrative.

Richard Bauer is cast as Hector Adonis, a character who likely represents a corrupt figure within the Italian government or the aristocracy, contributing to the conflict in the film.

Barbara Sukowa portrays Camilla, Duchess of Crotone, a fictional aristocratic figure who may be entangled in the political and social dynamics of Sicily during the time period depicted in the movie.

Giulia Boschi plays Giovanna Ferra, a character whose exact role in the story is not specified, but who likely has connections to the main characters or events unfolding in the narrative.

Danilo Mattei appears as Soldier on Train, a minor character who may provide a brief interaction or subplot that adds to the atmosphere or context of the film.

Claudio Collovà takes on the role of Barracks Policeman, a character who likely represents law enforcement or military authority in Sicily, adding tension to the plot.

Michael Wincott portrays Cpl. Silvestro Canio, a character whose position in the military or police forces may lead to conflicts with the main characters, especially Salvatore Giuliano.

Ray McAnally plays Trezza, a character who could be involved in the local governance or administration of Sicily, potentially interacting with the criminal elements central to the story.

Barry Miller is cast as Dr. Nattore, a character who likely contributes to the medical or scientific aspects of the narrative, offering a different perspective on the events unfolding in the film.